Thursday, 15 August 2013

Rooksburg Reviews: Father's Day

Doctor Who s1e08: Father's Day

Rose comes to the realisation that she can travel to any point in time, and uses the opportunity to visit her father, who she never knew.  She witnesses his death, and as she laments that he died alone, she convinces the Doctor to go back so she could comfort him.  Instead, she saves his life, causing a paradox and attracting the attention of the Reapers, creatures that feed on paradoxes which would result in...

Seriously, who designed this??
Sigh, we've already reached this episode's fatal flaw and that's the lack of explanation as to what the Reapers are and how they work.  All that is said about them in-universe is that the timelords could prevent them getting involved when they caused paradoxes, and that they are like bacteria that sterilise the wounds of time.  The implication is that they are 4th dimensional beings that can only break through when the walls of time are thinner, at which point they consume everything around them unless the paradox resolves itself; however due to the shoddy writing I found myself thinking they were some sort of time-police that were attempting to fix the paradox themselves, in which case it made no sense that the Doctor would try to stop them because he knew things had to be back the way they were.  Ultimately the Reapers are a great concept, but very poorly explained- and it doesn't help that they're so poorly designed, looking like a 5-year old's attempts at morphing several plasticine creatures together.

This story desperately wanted to explore how paradoxes work, but because it's an episode of Doctor Who they had to shoehorn a monster in somewhere.  It is clear they wanted to explore a variation of the grandfather paradox- Rose knows how her father died so goes back to save him, but if he lived then she wouldn't have had a reason to go back.  The usual resolution of this paradox is the victim dying a completely different way, which proves the time-traveller's attempts useless in the face of destiny.  That may be a bit depressing for a family show, so they dwell more on the butterfly effect- even an insignificant nobody could have a profound effect on history, based on all the little things adding up.  Throughout the episode the Doctor keeps reminding us that nobody's unimportant, and that countless variables made things the way they are.  Now they couldn't think of an appropriate way to wrap up the story, so along come the Reapers, ensuring the only thing changed in the history books is that Pete committed suicide rather than get killed in a freak hit-and-run incident.  Personally I would have preferred the alternate ending in which Pete survives and is motivated to build a successful business empire as seen in Rise of the Cybermen, but understandably they needed Earth to remain unchanged for future stories.

A touching father-daughter moment.
Regarding the characters, there's a fair amount of development.  We see what Rose's father was like (incidentally Shaun Dingwall is one of the better actors you'll see this series), and how Jackie used to be (as insufferable as always).  Young Mickey gives the performance you would expect from a child actor (I'm scared, but can't stop smiling because I'm on Doctor Who).  The Doctor has conflicting feelings regarding humans- one second Rose is 'just another stupid human' but the next he's comforting a soon to be wed couple saying they're the most important creatures in the universe, and ultimately he demonstrates his willingness to sacrifice himself for humanity.  Finally, Rose reveals how selfish and short-sighted she is.  It's heavily implied that she planned to save her father from the moment she knew the TARDIS was a time machine, with no thought to any repercussions, and even as the world dissolves around her she still seems unphased, and of course next episode it'll be as if nothing happened at all.  It is this episode above all others that makes me wonder how she could be anyone's favourite companion, and at the risk of sounding like a deranged fangirl, I can't believe she's the one the Doctor would fall in love with.

First Impressions: Not entirely sure what's going on, but it's alright
In Retrospect: Reapers are annoying, and why haven't they showed up in the countless other paradoxes throughout the series?

Why am I still watching this show when every episode seems to have such terrible flaws?

Next Time: The Empty Child/ The Doctor Dances

Sunday, 4 August 2013

Doctor 12 Revealed!

Doctor... Who?
It seems a little redundant, but be warned there are spoilers in this post.  I'd be amazed if you made it here without already knowing though.

On June 1st, Matt Smith announced he would be stepping down as the Doctor, stating 'when you gotta go, you gotta go'.  Since then he has expressed regret, after seeing the fans' reactions, but it was too late- the search for probably the most iconic character on British television had begun.

The internet was abuzz, and the usual speculation started again- would the Doctor be a black man? A woman? An unknown actor like Matt Smith was, or a well-known celebrity?  Young to attract younger audiences, or older to go back to the show's roots?  And most importantly, would the Doctor be ginger?  All sorts of names popped up at betting offices, ranging from Russell Tovey (best known from Being Human), to Olivia Coleman (Hot Fuzz) and Rupert Grint (Harry Potter)- some even had odds for Grint's Hogwarts classmates Daniel Radcliffe and Emma Watson!

The BBC then decided to make a live announcement for the new Doctor, as they would rather make an official announcement than have yet another online leak spoiling it for everyone.  Funnily enough this live special was announced around the same time one particular actor shot up in the bookies' odds- to the point where he became favourite and no further bets were taken.  This man had appeared in the show before, was an avid fan of the show, and would keep to the tradition of the Doctor being a middle-aged white man, so seemed like a pretty safe bet- and the rumours turned out to be true, as this is the face of our new Doctor:
The 12th Doctor: Peter Capaldi
"The list went 'Peter Capaldi'.  It was a very short list."- words from Stephen Moffat, who apparently thought Capaldi was the only option to succeed Matt Smith.  For those of you who don't recognise him, he has previously featured in In the Loop, the BBC TV adaptation of Neverwhere, and The Thick of It.  It goes without saying that he is an excellent actor, but will he make a good Doctor?  Only time will tell.  But where's the fun in waiting?  Time for speculation!

First, an observation of previous regenerations: The replacement always has a personality that addresses the previous incarnation's weakness.  Going just on the new-series Doctors, Nine's weakness was his aggression so Ten became much softer and more forgiving- but in doing so became overly sensitive and so his relationship with Rose became his weakness.  Indeed his constant acceptance ate him up inside until he couldn't take any more, leading to the 'Time Lord Victorious' element towards the end of his arc.  Eleven did away with any love for humans (the exception being River Song, whose relationship I see as more of a pre-destination paradox but more on that in a later blog).  He chose instead to go back to treating humans as an icky alien species and generally jumped to conclusions quicker than previous Doctors that so far seem to have paid off.  As a result, I believe this new Doctor will counter Eleven's short-sightedness and be much more methodical, planning before he acts, possibly resulting in another 'greater good' scenario echoing the Time War.  And I believe he won't necessarily make the right decision, as part of his progression into the inevitable Valeyard.  Looking at Capaldi, he has a very sinister look- especially in his promotional video:

This suggests his Doctor will have a darker edge to him, and he looks much more serious than Smith whilst still having a mischievous side- in fact closely resembling the first Doctor, William Hartnell.  Recent viewers of Doctor Who may be surprised to learn that the first Doctor was very different from the one we know and love- he was an old man that stole a TARDIS, lived as a recluse, and was extremely curious- often putting his companions in harm's way just to explore a little further.  If Moffat does have plans to descend slowly towards the Valeyard, then I shall certainly be interested to see what happens next...

Saturday, 3 August 2013

The Many Themes of Disney: An Overanalysis


For over 75 years, Disney has been synonymous with good animation.  And for good reason.  Most people watched a Disney film so far into their childhood they don't even remember it; all they remember is that it was good.  Then as they grow older they start to notice all the political incorrectness, and over-extend metaphors for drugs, and devise drinking games with their college buddies.  Then they grow older still and become parents, realising how effective the morals are and deciding their children could learn a thing or two, and so the circle of life continues.

That being said, everyone has differing views on different films- for instance my personal favourite is Hunchback of Notre Dame despite it receiving comparatively low ratings.  I have given this some thought, and separated groups of films into several recurring themes- if my theory is correct then the most popular films should contain several of these themes, whilst the least popular may only contain one or two.  More may follow in a future update.

The Princesses.
Newest at the front, ethnics at the back.
The theme Disney wants you to believe in.  Children want to be the princesses, young adults want to criticise the 'forgotten' princesses, and adults want good role models for their children (something only recently being addressed by Disney).  For the purposes of this article, I will divide the princesses accordingly.
The 'popular' princess films: Snow White, Cinderella, Sleeping Beauty, The Little Mermaid, Beauty and the Beast, Aladdin, Tangled, and Princess and the Frog.
 Odds are children will want to imitate the heroine from at least one of these films, and if they do then the theory is that they will enjoy the others in this group.  Note that they have been getting progressively 'stronger' as society has progressed to have better female role models.
The latest 'Disney Princess'
The 'other' princess films: Pocahontas, Mulan, Brave, The Black Cauldron, Wreck-it-Ralph, and Princess and the Frog.  These are the princesses that some claim Disney have 'pushed aside' due to being unmarketable, whether due to ethnicity or age.  Note the inclusion of Princess and the Frog, as some consider the film to be too recent for Tiana to be forgotten, but her time is coming due to her ethnicity.  These films are most enjoyed by those that enjoy pointing out Disney's political incorrectness.  Incidentally these are also the strongest female role models.
The 'hipster' princess films: Bambi, Peter Pan, Robin Hood, Hercules, Atlantis, and Enchanted.  This category is so named as it is most enjoyed by those that have a smug self-satisfaction when explaining to others how the female leads are 'technically' Disney princesses whilst not being officially considered as such.  These viewers are most likely to call Princess Leia their favourite princess, as she's 'technically' a Disney princess now.

Snakes.
Prominent examples: Aladdin, Robin Hood, Sword and the Stone, Princess and the Frog (special mention to the Little Mermaid, which used snake-like fish).
Just ignore the fact he sounds like Winnie the Pooh.
Snake imagery is used a lot in Disney, occasionally in a hypnotic form (see: Kaa, and Jafar's staff).  Interestingly they are always shown as cowardly- a somewhat unusual characterisation that I don't believe I have seen outside of Disney.  More typically, they are also shown as highly untrustworthy.  They are always a supporting villain (except in Princess and the Frog, which subverted many clichés), to the extent that the majority of appearances happen in the various tv spin-offs.  If you enjoy this Disney-specific archetype, your favourite film is likely to be the Jungle Book.

Cats.
Most commonly occurring in contemporary films, cats are often inherently evil or at the very least mischievous- rarely are they shown in a positive light.
Never trust a grinning cat.
'Evil' cats: Sword and the Stone, Cinderella, Basil the Great Mouse Detective, Emperors New Groove, Pinocchio.  The cats are most commonly manipulative, greedy, or outright evil.  Not unique to Disney, as many consider real-life cats to be inherently evil and vindictive.  If you enjoy evil cats, your favourite film is probably Lady and the Tramp- two evil cats for the price of one, and as you're probably a dog person you get the bonus of the protagonists being dogs.
'Big' cats: Jungle Book, Tarzan, Aladdin.  Interestingly, big cats are wise and friendly- with the exception of Sabor from Tarzan who is a mindless killer.  Naturally, if you enjoy films with big cats then your favourite film is the Lion King.
'Mischievous' cats: Aristocats, Pinocchio, Oliver and Company.  Often these cats are kittens that are yet to learn they're supposed to be evil, however your favourite is probably going to be the Cheshire cat from Alice in Wonderland.

Alcohol/ Drug references.
Almost every film involves alcohol or other drugs- seriously, keep an eye out next time you watch one.  It may be for brief moments, such as glasses of wine in Aladdin, or the feast of fools in Hunchback, but at other times it's more noticeable- join me as I play 'Drink along with Disney'.
Robin Hood- Sir Hiss gets drunk after being trapped in a barrel of (strangely coloured) ale.
Beauty and the Beast- Copious amounts of drinking with Gaston in the tavern.
Basil The Great Mouse Detective- A drunk mouse finds himself in trouble
Pinocchio- Alcohol and tobacco contribute to Pinocchio 'making an ass of himself'.
Nightmare fuel.
And, of course, the pinnacle is Dumbo- full on Disney Acid Sequence from Dumbo indulging in too much champagne.  This crosses over into the next subcategory: the Disney Acid Sequence, things that must have been conceived whilst under the influence.
The Lion King- 'I Just Can't Wait to be King'.
Winnie the Pooh- Various.
Aladdin- 'Friend Like Me'.
If you like any of the above over any other Disney feature, then odds are your favourite film is either Alice in Wonderland or Fantasia- both are feature-length acid trips, Fantasia getting the edge as it even involves Dionysus the God of Wine.

Fire.
Fire is the one element that appears in every Disney film, and seems more prominent in the more popular films.  This is probably the theme that attracts me most, and through sheer coincidence the more fire there is, the more I like it.  Here's a run-down of my top 10 Disney films, and the amount of fire involved. (Special mention to Toy Story 3 for the furnace, as I wasn't going to include Pixar).
Hercules- Hades' 'angry' face.
Dumbo- The circus act.
Sword and the Stone- the Wizard's Duel.
Fantasia- A glimpse of the pits of Hell as shown in Night on Bald Mountain.
Robin Hood- Prince John's castle is set alight.
Aladdin- Climactic battle in a ring of fire.
The Lion King- Lightning sets fire to the desolated pride lands.
Jungle Book- Lightning sets the scene for a climactic battle in a ring of fire.
Hunchback of Notre Dame- the whole city of Paris is set alight, and there's a song dedicated to Hellfire.
Treasure Planet- an entire planet goes up in flames.

OK, I take back what I said at the start- Treasure Planet is my favourite Disney film.

Tuesday, 23 July 2013

Monthly Update: 7/13

Greetings!

Unfortunately 'Full steam ahead' is proving slightly more difficult than anticipated, mostly due to the lack of landlords that accept Housing Benefit.  The plan was initially to get a small flat in the Bristol area, where I could then find a job to raise some money ready to move to a slightly bigger/ more convenient flat and save up a bit for the shop; but to do all that Housing Benefit is required just to cover the time spent looking for work.  I thought it would make more sense for landlords to accept Housing Benefit as in a lot of cases it's more reliable than having a job, but apparently there's so much red tape involved and constant changes to the law that it's not worth the landlord's while, especially in a high-demand area like Bristol.  Which is fine.

Now the plan is to find a job first that's willing to wait for me to move closer, which is considerably more difficult, what with the amount of competition that most likely live closer already.  But I will continue on.

The third alternative is I win the lottery and move straight to Bristol and open the shop next month- you never know, it could happen!

Thank you for being patient, and I hope you will stick with us on this journey- once again, any feedback is greatly appreciated.  Currently we are considering the feasibility of running a café element to the shop, so any ideas regarding that will be most welcome.

Until next time,

Rooksburg.

Rooksburg Reviews: The Long Game

Doctor Who s1e07: The Long Game

The Doctor and Rose, with their new companion Adam Mitchell, find themselves on Satellite 5- a space station dedicated to transmitting news to the Fourth Great and Bountiful Human Empire.  As usual, all is not what it seems as people who are 'promoted' to floor 500 are never seen again, technology is outdated, and something's wrong with the plumbing...

An interesting story with interesting characters, some good character development, an important milestone, and yet I still forgot this episode even existed.  As they say, there's nothing worse than a 3-star review, as you're not mind-blowing, nor are you 'so bad it's good'; merely mediocre, bland and forgettable.

The main point of this episode centres around Adam (again, a completely forgettable companion).  Adam
Who?
was in the museum from last episode where he was somewhat likeable compared to the Americans, so Rose immediately took a fancy to him (showing no remorse over Mickey) and convinced the Doctor to let him tag along.  On arriving at the space station he immediately faints from culture shock before showing his true colours by smiling deviously after being given the magic phone and the TARDIS key; clearly the Americans rubbed off on him.  Despite being so forgettable, he is notable for one key point- he is the first and so far only companion to get kicked out of the TARDIS for bad behaviour, an impressive feat though to me it felt slightly harsh; Rose was supposed be on a date with Adam but ran off with the Doctor, both abandoned Adam in a strange uncomfortable place, and Adam did want to change the world for the better (albeit with personal gain in mind, but the Doctor has been guilty of that himself before).  Ultimately it just felt like the Doctor wanted an excuse to get himself and Rose alone together again.

The editor, with the 'editor-in-chief'
The 'monster of the week' is the Mighty Jagrafess (of the Holy Hadrojassic Maxarodenfoe), who is an amorphous indecipherable creature attached to the ceiling in floor 500 and ultimately doesn't do much- arguably the true villain is Simon Pegg's character, 'The Editor', as he is the one operating the station whilst the Jagrafess oversees.  They have been controlling the media for 90 years in attempt to enslave the human race without them even realising, and it would have worked if the Doctor hadn't come along.  Again, they are fairly decent villains- neither are doing anything particularly evil (aside from killing anyone who knows too much), and the point is raised 'is it really slavery if the slaves don't know about it', though this is immediately shot down by the Doctor who isn't in the mood for philosophical debate.  Also interesting is the fact that the Doctor doesn't save the day this time, instead enlightening an ordinary girl who takes matters into her own hands.

Not much more to say on this one.  Everything is 'good, not great' which leads to a fun 45 minutes but not a memorable one, and in a way slightly disappointing when this series often strays into 'so bad it's good' with its camp cheesiness.
First Impressions: Pleasantly surprised, might give some credibility to the series.
In Retrospect: Oh yeah, this episode... Simon Pegg's cool.

Next Time: Father's Day.  (aka the reason why I haven't dwelled on Rose's selfishness this episode)

Saturday, 6 July 2013

The Traveller's Guide to Faerun: Furthinghome, Aglarond

Aglarond
Climate: Warm Temperate.
Terrain: Dense Forest, Rocky Coast, Hilly Farmland.
Population: Mostly Human, Some Half-Elf.

I arranged transport with a passing merchant as soon as possible, packing the bare minimum- some field rations, some coin, and a rapier.  Most of my new friends turned up to see me off, though Lynne was absent; one of her friends told me that she was upset, thinking I would be 'different' from other men which frankly shouldn't be a surprise as I'm not human.  The friend looked at me with an expression of horror when I told her this, then walked off shaking her head.  Truly there was much for me to learn about humans, and with this thought in mind I headed off to the nearest city.

On the road I attempted to curb my enthusiasm, though there were so many extraordinary sights.  When the
My first companion!
clouds had cleared the rolling hills were a beautiful green bathed in the golden light of the sun.  To be honest I am surprised the merchant put up with my incessant questions!  He was a likeable man; a human.  One of the first lessons I would learn is that one should always state a person's race in Faerun, as there are so many varied species and everyone seems to bear some resentment against the others.  The merchant told me his name was John, and that he was born in the town to which we were headed- Furthinghome, on the Aglarond coast.  He then gave me some tattered robes with a cowl that would cover my face, saying that the humans of the city were distrustful of other races, especially ones that looked like they might be elven.  He also told me that despite my desire to explore, I should stick with him as we wouldn't be staying long.  He just had to make an exchange then we would be on the road to Velprintalar; home to a powerful mage who should be able to tell me how to get home.  Finally John had a warning- if we did somehow get separated then I should avoid Thay at all costs.  It was a land beyond the mountains behind us, and he warned that if I ever encounter a wizard dressed in red then I should avoid them, as I would most likely be kidnapped and experimented on in a tower somewhere.  I found this hard to comprehend- humans seemed to have such varied personalities.  The majority I had met so far were friendly, but then there was Lynne's unusual behaviour, and now the stories of these horrible wizards!

As we approached Furthinghome I heard a somewhat familiar sound, and sure enough there were tens of peacocks roaming the countryside!  I had seen peacocks before in Djinni zoological collections, but I was unaware they were wild here.  Sadly John had to point out to me that they were not in fact wild, but had escaped from a local dilapidated estate.  I made a mental note to explore this estate, but I was soon distracted as I caught a salty smell on the wind, and as we passed one last hill I was met with yet another
Such beautiful greys!
spectacular sight- the sea!  Like a combination of land an air, it had the same sort of blue as the sky but looked more... solid.  Yet at the same time, not as solid as the land due to its constant movement.  Of course, now I look back and laugh at my naivety, but back then it was simply too much for me- I almost fainted from the experience, but instead I entered a trance-like state, fascinated with my surroundings and paying no heed to the man asking me questions- one of the city guard.  Luckily John covered for me, telling the guard I was a relative and had been 'touched in the head'.  Thankfully I felt a little more comfortable inside the city, as it was reminiscent of the Djinni cities back home, though the architecture was much less grand, consisting mostly of weathered wood and stone that hadn't taken kindly to the salty sea air.  We followed the main road into the centre of the city, John pulling me along as I was getting distracted by the sounds of seagulls and smells of the countless spices being sold at the stalls that lined the street.
'Here we are, Old Furthing,' said John, 'I have business to attend to, so I shall meet you back here at Highsun in two days time.  I've already booked us lodging at the Beached Mermaid by the docks.  Now I'm already late, so see you soon!'
I turned to tell John I had no idea where 'here' was, or even what 'highsun' is, but he had already gone.  I was alone in this city.
Furthinghome
Type: Large City, Small Trading Port
Population: Mostly Human, Few Half-Elf
Reputation: Wealthy, though slums harbour anti-elf extremists
Imports: Exotic Goods
Exports: Fish, Timber, Herbs and Spices

I remained calm, and decided that I may as well have another look at the sea whilst I had the chance.  Presumably that was where the docks were as well, as my only previous experience of docks involved airships.  Before I knew it I had spent the rest of the day just sitting on the docks, watching the sea and the sunset.  The next thing I learned was that humans have very poor night vision- as I looked for the Beached Mermaid several careless humans bumped into me before running off.  Eventually I found the inn and told the landlord I was with John the merchant.  He said he had been expecting me, though there had been no sign of John yet, and I was shown to my room.  It was possibly the earliest night I'd ever had, and it pained me to be missing out on the drunken revelry below my room, but after the days I'd had I was in need of well-deserved rest.

Morning came, and the first thing I noticed was that my door was open- I must have forgotten to lock it in my overtired state.  I headed down to the bar, but other than a few unconscious men littering the bar it was empty, so I set off to find some food.  It was early in the morning, but the city was still bustling with activity as market stalls were already peddling their wares- mostly exotic items, and things made to look exotic.  It was at this point I realised I had no money to buy food with, despite being sure I had some the day before.  This didn't bother me too much, after all that's what field rations are for- though I would have to find some money somewhere, which meant finding work.

Friday, 5 July 2013

Rooksburg Reviews: Dalek

Doctor Who s1e06: Dalek

In a subterranean museum in Utah lies a vast collection of alien artifacts- the pride of which is sending a distress call that the Doctor receives.  What is this prized artifact?  Well the title of the episode may give a clue, it's a Dalek- the Doctor's most hated enemy.
Spoilers!
Straight away we see the main flaw in this episode; the fact that it tries to build suspense despite the title already giving the big reveal.  Aside from this relatively minor flaw (it's not even noticeable so long as you avoid the 'next time' trailer and aren't paying attention to the title when it comes on screen), this is a pretty decent episode, though I would say it would be better suited later on with slight script changes.  The purpose of the new series was to introduce Doctor Who to a new audience, and as such it should be assumed that some of this audience may not have heard of the Daleks.  If their first experience is this episode, I would be quite disappointed.  It shows that Daleks are nigh-unstoppable ruthless killing machines, but that they also have a sensitive side (albeit caused by some 'biomass extrapolation', but still).  I'm also not happy with 'levitate' and found it a bit cheap, but I suppose they needed to address the problem of stairs at some point.

The theme of this story is to hold a mirror to the Doctor.  Previously we have seen him take a relaxed view to what goes on around him, only getting involved if he absolutely has to- but this time he's involved due to personal hate and fear, not entirely unlike a Dalek's motivations.  Due to this, this episode is quite an important one for the series as it shows the first time the Doctor's really been torn up by his actions in the Time War, which some have speculated we haven't seen the full ramifications of until this year's 50th anniversary special.

Regarding the supporting characters... oh dear.  Poor Americans, they just can't catch a break from us Brits-
The trolls have taken over the internet.
we have a view of Americans that depicts them as loud, greedy, ignorant, gun-toting, cowardly people that have a condescending view of the British; and this episode reinforces every single one of those stereotypes without any redeeming features.  We have the museum's owner, and owner of the internet, Henry van Statten who displays a tenacious single-mindedness to ensuring the Dalek doesn't get damaged, even when it's killing his entire staff- until the point where his own life is in danger at which point he'll stop at nothing to save his own skin.  We also have Diana Goddard, who is van Statten's right-hand woman (after his former assistant disagreed with his ambition to become president) and immediately betrays him to take his place when all is safe.  Another significant member of van Statten's staff, Simmons, takes delight in torturing the Dalek, even taunting it when it's fully operational.  The final American is a guard who disregards the Doctor's advice in dealing with the Dalek (concentrate on the eye-stalk) and goes for a brute force approach only to be killed within seconds.  To highlight how loathsome these Americans are, we have an Englishman working with them- Adam Mitchell- who is constantly belittled and mocked, and demonstrated to be a generally much nicer person than the Americans.  He also serves to show how heartless Rose is, as within seconds of meeting him, she starts flirting with him; again, completely forgetting about Mickey.  A vague attempt is made to show Rose's compassionate side, but it doesn't really work when she's being sympathetic towards the most feared being in the whole universe.

First Impression:  Pretty good, but aren't Daleks meant to be terrifying?  Yet a single human can cause them to question their own existence?  Sounds a bit lame...
In Retrospect:  Still pretty good, wish we'd seen a Dalek story before this though just so we'd know how terrifying these creatures are supposed to be.  Unfortunately, this won't be the only time RTD attempts to make the Daleks 'sympathetic' villains...

Also, this episode features a topless Christopher Ecclestone, which I'm sure is good enough reason for some of the female fans to watch it (and probably some male fans too).

Next Time:  The Long Game.